Long recognized and praised as a creative force in acoustic music, Claire Lynch is a pioneer who 
                          continually pushes the boundaries of the bluegrass genre. Her career has been decorated with 
                          many accolades including three GRAMMY nominations, seven International Bluegrass Music 
                          Association awards and the prestigious United States Artists Walker Fellowship. 
                          Dolly Parton credits Claire with "one of the sweetest, purest and best lead voices in the music 
                          business today." Her harmonies have graced the recordings of many stellar musicians. Equally 
                          gifted as a writer, her songs have been recorded by The Seldom Scene, Patty Loveless, Kathy 
                          Mattea, Cherryholmes, The Whites and others.                        
                            Blazing her own trail in the mid 70's when there were few role models for young women in the 
                          genre, Claire Lynch made history when she led the Front Porch String Band which evolved in the 
                          80's and 90's into "one of the sharpest and most exciting post-modern bluegrass bands on the 
                          circuit." She formed her own Claire Lynch Band in 2005 and has since consistently been a top 
                          pick of prestigious publications, critics and audiences across the U.S. and beyond.                          
                           Claire grew up in Kingston, New York until the age of 12 when her family moved to Huntsville, 
                          Alabama. There she began her education in country music and got caught up in the Bluegrass 
                          revival of the 1970's, joining a band called Hickory Wind. Later, the band changed its name to the 
                          Front Porch String Band with Claire's vocals as its centerpiece.                          
                           In 1981, after their first nationally released recording, the group retired from the road and Claire 
                          pursued dual careers in addition to raising a family, spending seven years as a staff writer at two 
                          of the most prestigious publishing houses on Music Row in Nashville. At the same time, she 
                          became a much-sought-after session vocalist.                          
                           In 1991, the Front Porch String Band was resurrected with the album Lines and Traces on Rebel 
                          Records - a move that ultimately led to the launching of Claire's solo career in earnest. Friends for 
                          a Lifetime was released on Rounder Records in 1993 followed by Moonlighter in 1995 (Claire's 
                          first GRAMMY nomination) and Silver and Gold in 1997 (also nominated for GRAMMY glory). She 
                          was named the IBMA Female Vocalist of the Year in 1997 and enjoyed many chart successes. The band kicked off the new millennium with the album Love Light in 2000. At that time Claire 
                          took what she thought would be a full-fledged break from music, stepping away from the grind of 
                          daily touring. She wasn't sure when - or if - she would return. "I hadn't planned to come back… 
                          One day I opened my catalog of songs and realized that I'd written my life," she said.                          
 Little by little, the lure of music worked its way back. She sang harmony on The Grass is Blue and 
                      Little Sparrow which led to promotional touring as backup vocalist for Dolly Parton. She graced 
                      albums by other artists with her background vocals including Emmylou Harris, Linda Ronstadt, 
                      Pam Tillis, Alison Brown, Patty Loveless, Kathy Mattea and Ralph Stanley. Today, the impressive 
                      list of other guest appearances continues including spots on albums by Donna the Buffalo, Sara 
                      Watkins, The Infamous Stringdusters, the Gibson Brothers, Jonathan Edwards, Jesse 
                      Winchester, The Special Consensus and Kristin Scott Benson.                          
                           In 2005, Lynch struck out on her own, forming the Claire Lynch Band and releasing the aptly 
                          named New Day CD. It was a hit on the bluegrass charts and earned her IBMA nominations for 
                          "Song of the Year" and "Female Vocalist of the Year." In 2007, Rounder Records featured a 
                          brilliant catalog of music from her previous five albums and titled the anthology collection, Crowd 
                          Favorites. More IBMA nominations followed as well as an induction into the Alabama Bluegrass 
                          Music Hall of Fame.
                           Whatcha Gonna Do, Claire's next release (2009), was called "a stripped-down production with 
                          sumptuous acoustic atmospheres showcasing…the instrumental brilliance of her four-piece 
                          band." After a busy touring schedule in 2010, she received three IBMA nominations including 
                          "Song of the Year" and "Recorded Event of the Year," and won the 2010 trophy for Female 
                          Vocalist.                          
                           Ms. Lynch's 2012 USA Walker Fellowship Award ($50,000.) was one of 50 salutes given from 
                          United States Artists (USA). The USA Fellows represent the most innovative and influential artists 
                          in their fields - including cutting-edge thinkers and traditional practitioners from the fields of 
                          architecture and design, crafts and traditional arts, dance, literature, media, music, theater arts, 
                          and visual arts.                          
                           In January 2013, after a long successful stint with Rounder Records, Claire signed a recording 
                          agreement with esteemed Nashville roots label Compass Records, called by Billboard Magazine, 
                          "...one of the greatest independent labels of the last decade." With their co-founder Garry West 
                          producing, she released the ninth solo recording of her career titled Dear Sister. The title track – a 
                          tear-inducing masterpiece co-written by Claire with Southerner Louisa Branscomb - is an intimate 
                          farewell letter shared between a brother and sister, their lives ravaged by the destruction of the 
                          Civil War, and delivered with all the tenderness Lynch is known for.                          
                           By Summer 2013, and over a period of almost two years, the album reached the #1 position 
                          seven times on the Roots Music Reports Top 50 Bluegrass Chart. It received an "Album of the 
                          Year" nomination at the 2013 IBMA Awards and twelve months later in October 2014, Claire and 
                          Louisa were aptly awarded IBMA's "Song of the Year" trophy for their brilliant piece, Dear Sister.
                           Meanwhile, Claire and her band also released a seasonal project on her own label, Thrill Hill 
                          Records' Holiday! (Sept 2014). The recording, a USA Today Season pick described as "a 
                          charmer" they "couldn't help but love", included her unusual take on some old chestnuts, a couple 
                          originals (Claire Lynch/Steven Sheehan's Heaven's Light and Henry Hipkens' Snow Day) and 
                          even a rendition of In the Window, a traditional Chanukah song.                                                    
                           That same year, DigitalJournal.com listed Claire as "One of the 10 Best Angelic Voices of Our Time." She shared that honor with such luminaries as Judy Collins, Alison Krauss, Sarah 
                          McLachlan, Martina McBride, Dolly Parton and Emmylou Harris.                          
                           In September 2016, Claire released North By South – a tribute to America's northern neighbor 
                          which resulted in her third GRAMMY nomination for Best Bluegrass Album. Produced by 
                          Compass Records' co-founder Alison Brown, the recording pays homage to some of her favorite 
                          Canadian songwriters, interpreting tracks from greats above the Great Lakes like Gordon 
                          Lightfoot and Ron Sexsmith. Backed by the CLB alumni and some of the world's finest acoustic 
                          heavyweights (Bela Fleck, Jerry Douglas, Stuart Duncan, David Grier), Lynch infuses the 
                          collection with her signature Bluegrass treatment producing an elegant blend of foreign songs and 
                          domestic artistry.                          
                           Lynch's Canadian leanings all started when a fan's email suggested places for her to play in 
                          Toronto. When she emailed back, it sparked a long correspondence about Canada's culture, 
                          history and diverse art scene. She eventually did score a gig in Toronto and what's better, she fell 
                          in love with her pen pal leading to their marriage in 2014. North By South is the product of a 
                          growing love for Canada that is now one of the centerpieces of Lynch's life.                          
                           As one observer writes, "Listening to Claire Lynch sing is not something to be undertaken 
                          casually. Her songs and stage presence demand the listener's rapt attention. She's an intensely 
                          soulful singer, whose distinctive voice resonates with power and strength, yet retains an engaging innocence and crystalline purity. She's also a songwriter of extraordinary ability who can bring 
                          listeners to their feet with her buoyant rhythms or to their knees with her sometimes almost 
                        unbearably poignant and insightful lyrics." (Dave Higgs-WPLN Nashville)  |